Nasser Oveisi (born in Tehran in 1934) is an Iranian painter and an activist of the Saqakhaneh school. His works are characterized by beautiful women inspired by the Iranian sun goddess, powerful, moving horses, and brilliant colors. His works are decorative paintings with a close relationship to painting and calligraphy. He creates original and modern works in his own style by looking at the Iranian-Islamic painting tradition. Works that please the viewer and are like a window that opens on one side to the ancient tradition of Eastern painters and on the other to modern European and American art. In fact, his works are a bridge between Eastern and Western art, and Ovesi has done this well. Sometimes his paintings are very similar to the works of Jazeh Tabatabai, especially in the works where both artists depicted girls based on the Qajar and Khorshid paintings of Iranian women. However, when animals enter the field of their paintings, such as horses and lions, the difference in the pen of the two painters becomes clear. He has won numerous awards from international biennials and exhibitions. His works are kept in museums in Athens, Barcelona, Belgrade, Brussels, Rome, Tehran, Madrid, New York, Paris, London, Zurich, Berlin and several other cities. His works are closely related to miniatures and old book collections in Iran. The freshness and delicacy in his designs are pleasing to the eyes. In Najaf Daryabandari’s view, his painting curtains are windows to the world of Iranian stories that look at the world from behind colored glass. In many of them, one color dominates the curtain so much that it objectifies this idea. Details in Ovid’s works disappear, the images sink into a pleasant ambiguity and slowly merge into nothingness, as if this glass does not allow us to get too close to this world.